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Disc one preserves a remastered version of the original album while the second CD collects 20 oddities, including outtakes, demos, and alternate takes, all but three of them previously unreleased.
#Fleetwood mac mirage deluxe track listing series
This deluxe edition of Mirage, the latest in a series of Fleetwood Mac reissues, contains three CDs, an audio-only DVD, a vinyl LP of the original album, and a 12-page, oversized booklet that includes lyrics, credits, photos, and liner notes. This is the sound of a band at the peak of its powers, delivering one great piece of ear candy after another. And I defy anyone to turn down the volume during the infectious “Oh Diane,” which draws inspiration from early pop/rock. “Love in Store,” “Hold Me,” and Stevie Nicks’s “Gypsy,” the album’s three hit singles, are all on a par with the tracks on Rumours, and “Only Over You”-which Christine McVie dedicated to the Beach Boys’ Dennis Wilson, her love at the time-ranks with her most sublime efforts. The melodies are irresistible, the hooks will hook you, and the harmony vocals are impeccable. Rolling Stone, for example, allowed that it found the group returning to “simple pleasures” but awarded it only three stars and said “the band seems to have lost its spirit.”Īs the fans who took the album to the top of the charts apparently knew, nothing could be further from the truth. But Mirage-which Fleetwood Mac’s members recorded in France after pursuing solo projects-is arguably even more underrated. Well, as I noted last year, Tusk ranks among the most underrated albums of the rock era.
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Then, when the group reverted to fully accessible form on its next studio album, 1982’s Mirage, reviewers griped that the band was going backward never mind that this radio-friendly LP delivered exactly what the critics claimed was missing in its predecessor. According to them, it eschewed commercialism in favor of self-indulgent experimentation, though major experimentation was in fact largely limited to the excellent title cut. But many of those same critics spoke less kindly of the follow-up to Rumours, 1979’s Tusk. The critics cheered when the group-newly energized by the addition of Lindsey Buckingham and Stevie Nicks-delivered its chart-topping eponymous album in 1975 and the even better Rumours a year later. If ever there was a case of the media building up and then knocking down a band, it was the one involving Fleetwood Mac in the late 70s and early 80s.